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Originally Posted by WEG Cory
If you have a producer that already shoots it for you, you might just try to work out a deal with the camera.
The issue is that once it is shot in HD, I don't think you can have dual encodes on it (meaning, you can't offer your consumers both). However, I recently heard that one of the new HD cams will do it.
I can't see any producer turning down buying their own HD camera if you are going to order enough work.
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Very true.
I have 1/2 of the people I shoot for wanting HD, and the other 1/2 do not. Some want letter box, some do not. It's a pain really, but as of now I'm sticking where I'm at with my VX2100 (a very rugged cam, great for shooting on the road). If
everyone wants HD, I will pony up and get a new cam, but I'm not looking forward to it.