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</putting on New Yorker magazine hat>
In terms of Minimalist art, I like the red x in a white field you've submitted for our review. The "x" represents the solid and final nothingness that affilcts post WW2 European consciousness as it flirts with post-modern socialism and runs away from neotraditionalist classical aesthetic constructs. There is an eerie resonance of space and light in the distance of the red x to the outer edges of the white square reminiscent of fractalized samples of a Mondrian.
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