Quote:
Originally Posted by Jay-Rock
Keep this in mind....
With the panasonic HVX 200 recording uncompressed output is no trivial task: it requires the ability to capture and record approximately 166 megabytes per second, or about 70x as much data as gets stored on an HDV tape. For the vast majority of users, uncompressed output is likely to be completely irrelevant. For live studio switching it could be quite handy.
HDV is really really compressed and when you render your comperssion over the P2 format you get much more noticable noise or artifact in your final output.
I have never lost a project from P2 cards and I have shot hundreds with my camera I will never use tape again I have lost a tape before they tend to drop out alot as well in important parts. Nothing worse then dropout when you are in a cumshot.
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I think that is the best camera, but not for porn!! I have used it for music videos and shorts it is a top notch camera.
WHY do i think that?? I couldn't imagine throwing around that big ass cinder block around.. And I use top male performers and generally shoot cutless, Changing cards ever 10 minutes would suck ass!!. I also hold POV males perspective from BJ, Missionary and doggy positions. I hit those angles with smooth quick movements. A big camera would fuck my style of shooting up. Holding and moving that thing around would suck ass!! You might as well buy a big ass bata cam. The quality blows away all cameras we are discussing. Why not?? Size Dude!! Too big! So is the Panasonic..lol
I use the canon A1 for HDV and the old school vx2100 for SD..
You cant go wrong with the canon or sony , but if you use the Panasonic you better buy steroids with it..
