Quote:
Originally Posted by Peter Romero
The one with your settings is almost done rendering. Thanks for the specific info. I'm not understanding what de-interlacing is but I'll keep looking. Thanks for your help.
Anyone else got any hot tips?
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de-interlacing is pretty easy to understand if you break it down
i vs p
progressive captures everything at once the whole shot like a picture (hence the film look) progressive is when each frame captures half the shot
think of the the shot as a football field
progressive will capture the whole field at the same time
the interlaced will capture in 1 frame all the odd yards then in another frame it will capture the even yards
thats a pretty basic Danza laymen version of it...
if you head over to dvinfo they explain it very well... there are some cool proggys that do great de-interlacing...
I think it uses a pull down method like a 2.2.3.2 or something thats just off the top of my head.... if you want to go more just icq me....
p vs. i is like chevy vs ford.. all personal pref.. I like a film look on some thins and the interlaced on others... for sports or anything with lots of movement you want to shoot in i
for fixed shots like cooking shows p looks amazing..
take a look at red cameras or do a google of i vs p