|
since a lot of folks here are into video production::::::
?The later you were born,? Collins says, ?the more all-powerful movie magic seems.? Hollywood could now fake dozens of moon landings every day, but they didn?t always have that ability. Marshaling knowledge accrued over thirty years as a photographer, he addresses each of the points that moon-landing conspiracy theorists commonly cite as visual evidence of the supposed fraud. He also brings to bear facts from the history of video technology, such as 1969′s complete lack of the high-speed video cameras, needed to shoot the sort of slow motion necessary to create the illusion of low gravity. And what if they?d shot the entire Apollo 11 telecast on film instead? Collins also knows, and names, exactly the problems even the most ambitious, technologically advanced charlatans would have encountered
|