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Ferus 11-06-2019 02:57 AM

#50 times Paul should have kept his mouth shut

candyflip 11-06-2019 06:53 AM

Paul, it’s obvious you haven’t bothered to keep up with current technology with regards to cameras. High quality images can be had for very little money. You’ve shown us here that you don’t get 4K and why people are and should be shooting it. You’ve shown us that you don’t have the slightest clue what the current crop of cameras is capable of, nor do you have the slightest idea of what would be involved in processing any of the footage from these cameras. You don’t understand the capabilities of the codecs.

No one is arguing that lighting or composition isn’t important. But if you’re shooting that on HD cameras in a world clients and projects demand 4K and up, none of that matters. You’re not going to get hired. I have said nothing more than this and will continue to do so.

You’re brain Is just going to mush and you won’t ever get it. I will keep this going with the hope that the OP gets some eyes on his thread and can get some bites on his offer.

celandina 11-06-2019 08:57 AM

To see 4 K effect with 50" TV you need to sit about 4ft from the screen. Your cat or dog or a toddler may be that close. For 1080p about 7 feet away ( as most of us sit). Therefore for most, 4 K is a gimick to sell more TVs and cameras. In other words how many of us have 100+ inch TV to view 4K from the normal couch 7 feet away.

but hey who cares about old technology... Look at 8K, you need to be 2 feet away with 65 " screen..:1orglaugh

Quote:

The optimal distances for a 65” screen are two feet for 8K and 4.3 feet for 4K. If you sit somewhere between these two distances, you will see some, but not all, of the added detail in the 8K image.
:2 cents:

CaptainHowdy 11-06-2019 09:24 AM

https://i.imgur.com/TomMQNr.png

candyflip 11-06-2019 11:32 AM

Quote:

Originally Posted by celandina (Post 22556504)
To see 4 K effect with 50" TV you need to sit about 4ft from the screen. Your cat or dog or a toddler may be that close. For 1080p about 7 feet away ( as most of us sit). Therefore for most, 4 K is a gimick to sell more TVs and cameras. In other words how many of us have 100+ inch TV to view 4K from the normal couch 7 feet away.

but hey who cares about old technology... Look at 8K, you need to be 2 feet away with 65 " screen..

:2 cents:

Sounds like you don’t get it, much like Paul doesn’t get it. People aren’t shooting 4K and higher to display in 4K and higher. They’re shooting these resolutions because of what you’re able to do with the footage in post.

Pretty sad to see folks who create and market content who lack the ability to understand the simple basics for content creation.

sadiedazzle 11-06-2019 08:06 PM

Quote:

Originally Posted by candyflip (Post 22556616)
Sounds like you don’t get it, much like Paul doesn’t get it. People aren’t shooting 4K and higher to display in 4K and higher. They’re shooting these resolutions because of what you’re able to do with the footage in post.

Pretty sad to see folks who create and market content who lack the ability to understand the simple basics for content creation.

Paul has lost the plot. There was a time when he was current and his work was good. But now he is a ranting old man. This thread is the worst I have ever seen him. Here is some advice for Paul....

"get out of the new world if you can't lend a hand, for the times they are a changin"......Robert Zimmerman

The Porn Nerd 11-06-2019 11:54 PM

Quote:

Originally Posted by sadiedazzle (Post 22556946)
"get out of the new world if you can't lend a hand, for the times they are a changin"......Robert Zimmerman

But Paul is gonna say, "that Zimmerman guy ain't no Bob Dylan! Besides, the Times don't change; they've been the Times Of London for years."

:helpme

Paul Markham 11-07-2019 01:47 AM

Why was I so stupid to suggest the subject matter, the way it's shot, lighting, audio, lens, camera, etc are more important. Thank you all you knowledgeable guys for showing me the errors of my ways.

Ditch what I said and just buy a cheap amateur 4K camera because that will suffice.

candyflip 11-07-2019 05:28 AM

Quote:

Originally Posted by Paul Markham (Post 22557034)
Why was I so stupid to suggest the subject matter, the way it's shot, lighting, audio, lens, camera, etc are more important. Thank you all you knowledgeable guys for showing me the errors of my ways.

Ditch what I said and just buy a cheap amateur 4K camera because that will suffice.

Again, no one said that those things aren’t important. Not one person. But if you’re gear isn’t current and up to the standards clients are demanding, none of those matter. It’s as simple as that. You just refuse to ever admit you are wrong or don’t have the slightest clue what you’re talking about. It’s obvious to all of us, except for you. It’s sad Paul.

Also...the cost of the camera means nothing at this point. My $1300 camera produces images that are indistinguishable from the images that come from the camera that cost us $30000. Guess which one has also made us the most money in the past year? The $1300 one we now own 3 of. The 6k model they released for $2500 is even better. That’s my current favorite camera. You should check them out. They’re far from “cheap cameras”. They will outperform anything you’ve ever got video on.

Paul Markham 11-07-2019 06:38 AM

Thank you candyflip for putting me right, I've always mistakenly thought the content of the product, the model, way it was shot, director, lighting, audio, pro lens and camera, etc Mattered before getting cheap camera that shoots 4K because the only thing customers want is 4K.

I see why you're reluctant to show samples making me feel small about my opinion.

candyflip 11-07-2019 07:43 AM

You can get a job at McDonald’s and check some of my work out. It’s used globally in training materials.

If you think I’m going to jeopardize a 7 figure contract with one of my company’s most recognizable clients, you’ve got another thing coming.

For the 100th time, because you senile brain has gone to shit...nothing is important if people aren’t hiring you because you aren’t delivering footage to them at the current minimum standards. 4K is the minimum, whether it looks good or looks like shit. That’s where we are at. That is why clients demand. For a host of reasons why, too. In 2019, if you’re not shooting 4K...you’re not getting hired.

Refuse to accept this, get left behind. Something you seem to know all about, right? Getting left behind?

celandina 11-07-2019 08:30 AM

Quote:

Originally Posted by candyflip (Post 22556616)
Sounds like you don’t get it, much like Paul doesn’t get it. People aren’t shooting 4K and higher to display in 4K and higher. They’re shooting these resolutions because of what you’re able to do with the footage in post.

Pretty sad to see folks who create and market content who lack the ability to understand the simple basics for content creation.

It seems that you are sucking and blowing at the same time :1orglaugh The OP never talked about any post. Just shooting and DELIVERING !!! 4 K videos. So go figure ? On the other hand, you do NOT need to be an expert to understand that "higher the resolution, more possibilities to fix production errors or create better SGI effects". Now tell me what porn producer worries about cables in the images, photograpehr's flashes or other like issues. Now, when somebody can figure out how the romove the full " Bimbo look" in the post ( fish lips, botox cheeks and ass, ugly tattoos, deformed plastic boobs, brooms instead of eyebrows etc...), I will switch to 16 K immediately. Failing that, you are just full of hot air and being insulting to all ....:2 cents:

celandina 11-07-2019 08:41 AM

Quote:

Originally Posted by candyflip (Post 22557108)
Again, no one said that those things aren’t important. Not one person. But if you’re gear isn’t current and up to the standards clients are demanding, none of those matter. It’s as simple as that. You just refuse to ever admit you are wrong or don’t have the slightest clue what you’re talking about. It’s obvious to all of us, except for you. It’s sad Paul.

Also...the cost of the camera means nothing at this point. My $1300 camera produces images that are indistinguishable from the images that come from the camera that cost us $30000. Guess which one has also made us the most money in the past year? The $1300 one we now own 3 of. The 6k model they released for $2500 is even better. That’s my current favorite camera. You should check them out. They’re far from “cheap cameras”. They will outperform anything you’ve ever got video on.

Oh my God, you better advise these producers who shot recently with really old cameras and 35 mm film ..grain an all. They must be a outdated as Paul...:1orglaugh

https://m.media-amazon.com/images/M/...5MDk@._V1_.jpg

https://www.udiscovermusic.com/wp-co...imised-820.jpg

https://images-na.ssl-images-amazon....L._SL1500_.jpg

celandina 11-07-2019 08:48 AM

Quote:

Originally Posted by The Porn Nerd (Post 22557008)
But Paul is gonna say, "that Zimmerman guy ain't no Bob Dylan! Besides, the Times don't change; they've been the Times Of London for years."

:helpme

We shoot with old Redcams capable of shooting 4 K yet we so far never used the 4 K. We shoot in 2K.:thumbsup

candyflip 11-07-2019 10:01 AM

Yet I'm the one who's small team has multiple 7 figure contracts with companies like Facebook, McDonald's and Merck...just to name a few. $4 million this year alone, all shot on "cheap" cameras as Paul puts it.

I don't believe for a second you've even touched a RED camera (which everyone is aware are just garbage off the shelf components in a pretty shell) based on your ridiculous comments above. Very few people are shooting higher resolutions to deliver. It doesn't seem that either you or Paul understands this. Unless you're a YouTuber, most are delivering still in HD. That doesn't make shooting in higher resolutions a waste of resources. Anyone who's had their hands a RED knows why you'd shoot at such large resolutions and they wouldn't spend the money and not put the camera to full use. They also wouldn't make stupid comparisons like you're attempting to do :winkwink:

sadiedazzle 11-08-2019 12:38 AM

I shoot in 4k and deliver in 2k. I also shoot in 6k and deliver in about 6 different sizes. In 2019, why is this even a discussion?

Here is some 6k

Paul Markham 11-08-2019 03:47 AM

Quote:

Originally Posted by celandina (Post 22557204)
It seems that you are sucking and blowing at the same time :1orglaugh The OP never talked about any post. Just shooting and DELIVERING !!! 4 K videos. So go figure ? On the other hand, you do NOT need to be an expert to understand that "higher the resolution, more possibilities to fix production errors or create better SGI effects". Now tell me what porn producer worries about cables in the images, photograpehr's flashes or other like issues. Now, when somebody can figure out how the romove the full " Bimbo look" in the post ( fish lips, botox cheeks and ass, ugly tattoos, deformed plastic boobs, brooms instead of eyebrows etc...), I will switch to 16 K immediately. Failing that, you are just full of hot air and being insulting to all ....:2 cents:

The camera is less important than the overall quality of the content. That's not saying the camera doesn't matter, it's not saying don't buy a 4K camera. I am saying don't buy cheap amateur cameras with cheap amateur lenses which CF is saying. Maybe that's all he can afford.

Paul Markham 11-08-2019 04:18 AM

Quote:

Originally Posted by candyflip (Post 22557291)
Yet I'm the one who's small team has multiple 7 figure contracts with companies like Facebook, McDonald's and Merck...just to name a few. $4 million this year alone, all shot on "cheap" cameras as Paul puts it.

I don't believe for a second you've even touched a RED camera (which everyone is aware are just garbage off the shelf components in a pretty shell) based on your ridiculous comments above. Very few people are shooting higher resolutions to deliver. It doesn't seem that either you or Paul understands this. Unless you're a YouTuber, most are delivering still in HD. That doesn't make shooting in higher resolutions a waste of resources. Anyone who's had their hands a RED knows why you'd shoot at such large resolutions and they wouldn't spend the money and not put the camera to full use. They also wouldn't make stupid comparisons like you're attempting to do :winkwink:

You have failed to show you've shot a porn video, no site, no samples, no customers showing what you delivered.

I never said "shooting in higher resolutions a waste of resources." I said it was secondary, which means it's not the most important thing. You disagree and think it is the most important. Let your customers decide.

If you shot for a corporate clients the last place you would be posting is on a porn board called Go Fuck Yourself, the slimmest chance of someone from that corporation reading this and knowing who posts it exposes your lies. Also corporate clients put the quality of work way above the resolution of the camera. Not saying it's not important, just not as important as you insist.

Paul Markham 11-08-2019 04:27 AM

Quote:

Originally Posted by sadiedazzle (Post 22557859)
I shoot in 4k and deliver in 2k. I also shoot in 6k and deliver in about 6 different sizes. In 2019, why is this even a discussion?

Here is some 6k

Exactly. Why are people even discussing the importance of the product content over the camera quality is pointless. No surfer ever became a member to get a video in 4k. Your site proves what's important. Models, niche, direction, lighting, way it's shot, camera work, audio, etc.

The same as in mainstream movies, no one ever gave an award just because of the camera it was shot on. Candyflip is arguing the camera is the most important.

Back in the day I shot on Beta Cam, edited Beta to Beta then duplicated onto VHS. Doing what you're doing is sensible and simple. Is it as important and hard as getting the product right? NO.

MaDalton 11-08-2019 04:56 AM

Quote:

Originally Posted by Paul Markham (Post 22557897)
The camera is less important than the overall quality of the content. That's not saying the camera doesn't matter, it's not saying don't buy a 4K camera. I am saying don't buy cheap amateur cameras with cheap amateur lenses which CF is saying. Maybe that's all he can afford.

i'm surely no fan of Candyflip but he's right when he says that the Blackmagic cameras blow everything out of the water you ever laid your hands on.

you seem to have enough time on your hands to troll here, maybe use it to educate yourself instead: https://www.blackmagicdesign.com/products

Konda 11-08-2019 05:23 AM

You know what's even more important than the camera or the lighting or the model these days? Mone, marketing and contacts. You can have the best content in the world, but without a big budget, the right marketing and the right contacts you won't get any sales.

celandina 11-08-2019 09:26 AM

Quote:

Originally Posted by candyflip (Post 22557291)
Yet I'm the one who's small team has multiple 7 figure contracts with companies like Facebook, McDonald's and Merck...just to name a few. $4 million this year alone, all shot on "cheap" cameras as Paul puts it.

I don't believe for a second you've even touched a RED camera (which everyone is aware are just garbage off the shelf components in a pretty shell) based on your ridiculous comments above. Very few people are shooting higher resolutions to deliver. It doesn't seem that either you or Paul understands this. Unless you're a YouTuber, most are delivering still in HD. That doesn't make shooting in higher resolutions a waste of resources. Anyone who's had their hands a RED knows why you'd shoot at such large resolutions and they wouldn't spend the money and not put the camera to full use. They also wouldn't make stupid comparisons like you're attempting to do :winkwink:


You are correct, I have never touched our Red cams, or our lights, or never pushed our PeeWee dolly. I have also never held a boom or recorded sound.....I can go on what else I have never done.. I am a producer, I find money to shoot the shit ( adult and mainstream) and make sure it gets finished on time and budget. And after I pay the banks or investors I own the shit...and yes sometime I direct the shit...I am NOT " one man band" working for somebody like you, I work for myself. I have a crew when I shoot, about 25 people for the adult stuff and up to a 100 for the mainstream.

So proudly I state that the 4K info I have posted I got from my "post geeks" and NO, even with all that jazz I do not gross 4 million like you. You must be a genius and very good businessman or a great liar. I am pretty sure which one it is....:thumbsup

sadiedazzle 11-08-2019 02:39 PM

i'm surely no fan of Candyflip but he's right when he says that the Blackmagic cameras blow everything out of the water you ever laid your hands on.


I not quite sure about that. The Panasonic gh5 and the full frame S1??. Look pretty equal. Have you shot with both, Stefan?

badgirlfilms 11-09-2019 03:43 PM

Quote:

Originally Posted by sadiedazzle (Post 22558268)
i'm surely no fan of Candyflip but he's right when he says that the Blackmagic cameras blow everything out of the water you ever laid your hands on.


I not quite sure about that. The Panasonic gh5 and the full frame S1??. Look pretty equal. Have you shot with both, Stefan?


I HAVE BOTH Gh5 and a Black magic. Candyflip is correct..you need to shoot w/ the new minimums ..The client can choose how they would like to receive the footage. and I've seen the Black magic up against a $50k Alexa...hardly a difference.

The Porn Nerd 11-09-2019 03:57 PM

Quote:

Originally Posted by Konda (Post 22557935)
You know what's even more important than the camera or the lighting or the model these days? Mone, marketing and contacts. You can have the best content in the world, but without a big budget, the right marketing and the right contacts you won't get any sales.

But what about Google? Doesn't sucking Big G's dick solve everything???

:1orglaugh:1orglaugh:1orglaugh

sadiedazzle 11-09-2019 04:56 PM

Quote:

Originally Posted by badgirlfilms (Post 22558780)
I HAVE BOTH Gh5 and a Black magic. Candyflip is correct..you need to shoot w/ the new minimums ..The client can choose how they would like to receive the footage. and I've seen the Black magic up against a $50k Alexa...hardly a difference.

I have shot with the G4, G5, The Alexa Amira, The Red Dragon, though not the Black Magic. There is a huge difference on the big screen. Otherwise everyone would be shooting movies on 1300 dollar cameras and i phones.

badgirlfilms 11-09-2019 05:29 PM

Quote:

Originally Posted by celandina (Post 22557218)
Oh my God, you better advise these producers who shot recently with really old cameras and 35 mm film ..grain an all. They must be a outdated as Paul...:1orglaugh

https://m.media-amazon.com/images/M/...5MDk@._V1_.jpg

https://www.udiscovermusic.com/wp-co...imised-820.jpg

https://images-na.ssl-images-amazon....L._SL1500_.jpg


Bottom 2 films were box office BOMBS...so what's your point

badgirlfilms 11-09-2019 05:34 PM

Quote:

Originally Posted by sadiedazzle (Post 22558801)
I have shot with the G4, G5, The Alexa Amira, The Red Dragon, though not the Black Magic. There is a huge difference on the big screen. Otherwise everyone would be shooting movies on 1300 dollar cameras and i phones.

Next time I decide to show a twerking ass on an IMAX screen, I'll bump up my camera equip.:1orglaugh

And more films have been shot on iPhones and are showing on Netflix. Indie film makers are rocking..Like the director of Shazam and Light's Out...All his earlier stuff to get noticed was shot on the BMPCC 4k...All the DVD extras on Shazam He shot on his same BMPCC 4k

wtf is this thread about, I forgot

OneHungLo 11-09-2019 07:14 PM

Quote:

Originally Posted by badgirlfilms (Post 22558805)
Next time I decide to show a twerking ass on an IMAX screen, I'll bump up my camera equip.:1orglaugh

:1orglaugh:1orglaugh

Paul Markham 11-10-2019 02:29 AM

Quote:

Originally Posted by MaDalton (Post 22557918)
i'm surely no fan of Candyflip but he's right when he says that the Blackmagic cameras blow everything out of the water you ever laid your hands on.

you seem to have enough time on your hands to troll here, maybe use it to educate yourself instead: https://www.blackmagicdesign.com/products

I'm not disputing that the camera is an important part of filming anything. I'm saying other factors matter more than the camera. Not only are the other considerations more important they are also harder to master than spending $1500 on an amateur 4k camera. Maybe that's why CF thinks it's the most important. :upsidedow

Blackmagic looks good. But giving that to a bad cameraman, on a poor budget does not produce better quality than a good cameraman on good HD equipment. Especially for viewing on the Internet.

Paul Markham 11-10-2019 02:32 AM

Quote:

Originally Posted by Konda (Post 22557935)
You know what's even more important than the camera or the lighting or the model these days? Mone, marketing and contacts. You can have the best content in the world, but without a big budget, the right marketing and the right contacts you won't get any sales.

Why do all these comparisons include one side having no marketing?

Can you get better results with a poor product and a big budget for marketing V a great product with a fair budget for marketing?

thommy 11-10-2019 02:48 AM

Quote:

Originally Posted by Paul Markham (Post 22558936)
Why do all these comparisons include one side having no marketing?

Can you get better results with a poor product and a big budget for marketing V a great product with a fair budget for marketing?

define marketing

there are many examples where poor products are sold through either a big marketing budget OR a good marketing idea and there are also examples where good products failed that had a big budget.

marketing is much much more than "selling" because sales are the results of a good marketing that starts already BEFORE a product is even produced.

maybe you should try to inform yourself what "marketing" really means before you use it as an argument in a discussion.

sadiedazzle 11-10-2019 08:22 AM

Quote:

Originally Posted by badgirlfilms (Post 22558805)
Next time I decide to show a twerking ass on an IMAX screen, I'll bump up my camera equip.:1orglaugh

And more films have been shot on iPhones and are showing on Netflix. Indie film makers are rocking..Like the director of Shazam and Light's Out...All his earlier stuff to get noticed was shot on the BMPCC 4k...All the DVD extras on Shazam He shot on his same BMPCC 4k

wtf is this thread about, I forgot

Its simple. S.I.S.O. and there will always be "indie" successes like the Blair Witch Project.

thommy 11-10-2019 08:51 AM

Quote:

Originally Posted by sadiedazzle (Post 22559035)
Its simple. S.I.S.O. and there will always be "indie" successes like the Blair Witch Project.

good example

i think there was no movie I have ever seen that was less professional made than this one.
not sure if they could not do better or if they did not want to do better.

The Porn Nerd 11-10-2019 11:53 AM

A talented photographer can make an amazing image using an old Kodak camera from 1929. A hack can have the best equipment and produce shit.

End of discussion?

badgirlfilms 11-10-2019 01:35 PM

Quote:

Originally Posted by The Porn Nerd (Post 22559123)
A talented photographer can make an amazing image using an old Kodak camera from 1929. A hack can have the best equipment and produce shit.

End of discussion?

That would be the end of the discussion...IF THAT WAS THE DISCUSSION...it is not, so the thread must continue off topic for another 5 pages.

sadiedazzle 11-10-2019 02:00 PM

Quote:

Originally Posted by badgirlfilms (Post 22559165)
That would be the end of the discussion...IF THAT WAS THE DISCUSSION...it is not, so the thread must continue off topic for another 5 pages.

Here is where your business thread got hi jacked by someone who is no longer in the business:

"What you shoot with is secondary. It's all down to how and what you shoot. The positive thing about tubes is few buy porn blind, they will look for the free videos on tubes before buying or not buying. So it has to be good."....Paul Markham

The Porn Nerd 11-10-2019 02:18 PM

Quote:

Originally Posted by badgirlfilms (Post 22559165)
That would be the end of the discussion...IF THAT WAS THE DISCUSSION...it is not, so the thread must continue off topic for another 5 pages.

Haha sorry man - I got hooked by that Paul Markham troll mojo. My bad. :)

MaDalton 11-10-2019 03:39 PM

Quote:

Originally Posted by Paul Markham (Post 22558934)
I'm not disputing that the camera is an important part of filming anything. I'm saying other factors matter more than the camera. Not only are the other considerations more important they are also harder to master than spending $1500 on an amateur 4k camera. Maybe that's why CF thinks it's the most important. :upsidedow

Blackmagic looks good. But giving that to a bad cameraman, on a poor budget does not produce better quality than a good cameraman on good HD equipment. Especially for viewing on the Internet.

There is no good cameraman with HD equipment in 2019 :2 cents:

Paul Markham 11-11-2019 12:35 AM

Quote:

Originally Posted by MaDalton (Post 22559217)
There is no good cameraman with HD equipment in 2019 :2 cents:

What has that got to do with this discussion?

Paul Markham 11-11-2019 12:51 AM

Quote:

Originally Posted by sadiedazzle (Post 22559172)
Here is where your business thread got hi jacked by someone who is no longer in the business:

"What you shoot with is secondary. It's all down to how and what you shoot. The positive thing about tubes is few buy porn blind, they will look for the free videos on tubes before buying or not buying. So it has to be good."....Paul Markham

So tell me specifically where my statement is wrong?

Can the Internet convey 4K movies without having them reduced down to a smaller size?

Can it make a bad camera man into a good one?

Are things like lenses, lighting, audio, camera less important than buying a 4K camera?

Are directing, model selection, location, etc less important than the camera?

Anyone who can't afford $1500 for a camera shouldn't be in the business, but it doesn't define a good product that will sell in 2019. If it did everyone here would be a lot richer.

What people should do when canvassing for work is show how good there work is so people can see there skills. If you don't have a site where that's possible buying a 4K camera won't solve the problems.

MaDalton 11-11-2019 05:28 AM

Quote:

Originally Posted by Paul Markham (Post 22558934)
But giving that to a bad cameraman, on a poor budget does not produce better quality than a good cameraman on good HD equipment. Especially for viewing on the Internet.

Quote:

Originally Posted by MaDalton (Post 22559217)
There is no good cameraman with HD equipment in 2019 :2 cents:

Quote:

Originally Posted by Paul Markham (Post 22559341)
What has that got to do with this discussion?

:helpme :helpme

celandina 11-11-2019 08:44 AM

Quote:

Originally Posted by badgirlfilms (Post 22558804)
Bottom 2 films were box office BOMBS...so what's your point

Sorry you have missed it :winkwink: My point was, if you know what you are doing you can achieve great visual results shooting with OLD media (film) and with old cameras and lenses. FYI: That the movie bombed has no influence on the matter. I was NOT talking content but a visual quality.:thumbsup

thommy 11-11-2019 09:58 AM

Quote:

Originally Posted by Paul Markham (Post 22559343)
So tell me specifically where my statement is wrong?

Can the Internet convey 4K movies without having them reduced down to a smaller size?

Can it make a bad camera man into a good one?

Are things like lenses, lighting, audio, camera less important than buying a 4K camera?

Are directing, model selection, location, etc less important than the camera?

Anyone who can't afford $1500 for a camera shouldn't be in the business, but it doesn't define a good product that will sell in 2019. If it did everyone here would be a lot richer.

What people should do when canvassing for work is show how good there work is so people can see there skills. If you don't have a site where that's possible buying a 4K camera won't solve the problems.

paul, are you aware that you really hijacking a thread that has NOTHING to do with your opinions?

the threat title is:

Any companies looking for 4k EXCLUSIVE SHOOTING

do you really believe that people that are working in internet are so dumb that they buy EXCLUSIVE content only for internet?

do you really believe that we all are like you and think internet will never move forward?

do you really believe that even a compressed low bandwith version from a 4k video will be better as to compress it from SD or HD ?

you have such a little clue about the day work from those who make the money at the end, that you should really stay out of such threads with your always yesterday opinions.

you have NEVER made money with users - you made money because there where always people that KNEW HOW TO MAKE money.
so you are really the last person that can be helpful.

sadiedazzle 11-11-2019 12:32 PM

Quote:

Originally Posted by thommy (Post 22559518)
you have NEVER made money with users - you made money because there where always people that KNEW HOW TO MAKE money.
so you are really the last person that can be helpful.

Tilt....lets discuss something more exciting, new, fresh and different. Is content or traffic king. Paul?

Mickey_ 11-11-2019 03:59 PM

Takeaway: If you want exposure for your thread, contact Paul. Out with the sticky threads, in with PM's exclusive services. :pimp

Paul Markham 11-12-2019 03:53 AM

Quote:

Originally Posted by MaDalton (Post 22559392)
:helpme :helpme

You think the camera is more important than the person using it. I disagree and know you're wrong.

You think buying a 4K camera is something only skilled cameramen are allowed to do. I disagree and know you're wrong.

Klen 11-12-2019 03:55 AM

Quote:

Originally Posted by sadiedazzle (Post 22559616)
Tilt....lets discuss something more exciting, new, fresh and different. Is content or traffic king. Paul?

Dont... poke.... the devil :1orglaugh

Paul Markham 11-12-2019 03:58 AM

Quote:

Originally Posted by celandina (Post 22559458)
Sorry you have missed it :winkwink: My point was, if you know what you are doing you can achieve great visual results shooting with OLD media (film) and with old cameras and lenses. FYI: That the movie bombed has no influence on the matter. I was NOT talking content but a visual quality.:thumbsup

I've boldened and enlarged your mistake. A lot of posts here are from people with no clue about shooting anything and argue with people who've shot content most of their life. That a camera is more important than the person using it, some one even suggests only good cameramen can buy them.

Paul Markham 11-12-2019 04:06 AM

Quote:

Originally Posted by sadiedazzle (Post 22559616)
Tilt....lets discuss something more exciting, new, fresh and different. Is content or traffic king. Paul?

Content, content, content.

Today the biggest sites with the most traffic are the ones with the best content, some are even willing to pay for it. Take the content off tubes and they're no longer the biggest sites with the most traffic.

No one has ever spent a lot of time promoting shit, because the people with enough traffic want the best conversions. Those come from kick ass tours with great content on.

Getting traffic is easy, $5 a 1,000 or less. OK it's shit traffic, but you can only buy shit content for shit money. If you have great content surfers are willing to pays for you can afford to buy traffic. How do you think Google makes it's money. Take the content off Google, it dies.

Getting good content is the hardest thing to do and why so many people have to generate traffic for free.


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