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Discuss what's fucking going on, and which programs are best and worst. One-time "program" announcements from "established" webmasters are allowed. |
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#1 |
So Fucking Banned
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Join Date: Apr 2001
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Canon 5D Mark III
Should I get just the body or pay the extra for the lens? What would you do and why?
Right now I have a couple 18-55, 55-250 and Sigma 18-200's The kit comes with a 24-105 |
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#2 |
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Don't let greediness blur your vision | You gotta let some shit slide icq - 441-456-888 |
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#3 |
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#4 |
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There's quite a bit of difference between 500D and 5D @grumpy
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#5 | |
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Quote:
24-105 is good tho ![]() |
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#6 |
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noticed that later
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Don't let greediness blur your vision | You gotta let some shit slide icq - 441-456-888 |
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#7 |
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#8 |
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baddog...
I'm about to shoot my last photo set of the day. I'll give you a call in a few minutes. |
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#9 |
So Fucking Banned
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#10 |
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Those lenses that you have are not great at all...
Better safe for good lens. It's really make different in quality. I would chose 24-70 2.8 over 24-105 and to add 70-200
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#11 |
So Fucking Banned
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the 24-105 is a decent lens and constant stop f4 is a bit better than the glass you are using
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#12 |
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#13 |
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#14 |
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buy the kit and ebay the lens. It's stupid to not take advantage of the lens discount with the kit.
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#15 |
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Would that canon 1.4 50mm prime work well with this cam?
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#16 |
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I bought the kit with the 24-105 f4.0 and it's a nice lens but i also use the 24-70 f2.8
The 24-105 is nice when shooting video with the image stabilizer. The 70-200 is an amazing lens and that's the next thing on my list. I also bought the 600EX Flash which does a nice job when using the Gary Fong Lightsphere. |
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#17 |
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Yeah, that's a decent lens. Works great on a full frame camera. It's actually the APS-C sensor cameras this lens doesn't work favorably with because it ends up being an effective 85mm which is too tight for most situations...
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#18 | |
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Quote:
I have this 1.4 and the cheaper 1.8... Good lenses... Has worked really well for our movie.
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#19 |
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You'll have to ditch all your other lenses...
And honestly, your existing lenses aren't anything special anyways.. Use the 24-105 for a few months until the new 24-70 II comes out (July, $2400). The 24-105 is considered an 'adequate' lens... Nothing special, but not bad either.. Otherwise, just buy the 17-55 2.8 for your existing camera.... It to will make a significant difference.. If you're not taking professional photos, you're not gaining *too* much with the 5d III... |
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#20 | |
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I've been curious about the 1.2. That's what I'd buy now if I had a need for primes, but I haven't been shooting anything in quite a while so I'm not really buying any new gear... |
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#21 | |
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Quote:
Summary: Learn exposure! |
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#22 |
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#23 | |
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I'd recommend a 60D and spend the left over cash on a couple of L series lenses. Going from consumer to pro body with cheap glass like sigma is doing it wrong. |
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#24 |
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#25 |
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Interesting but...
When was the last time you saw a picture and said great except if only it had been taken with a better lens? maybe you could post an example of a great picture ruined because it was taken with a poor quality lens. |
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#26 | |
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The point is, if you are going to drop $3k on photography kit and currently own a $300 camera, your money would be better spent on glass than a 5D mk III. |
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#27 |
Carpe Visio
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That's the last camera I'd spend my money on, but I'm more interested in video. 5D Mk3 is a huge letdown in that department.
I would invest in better glass myself. |
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#28 |
I am Amazing Content!
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if money is not an issue buy also better glass
but even we consider the 5D for what we are doing a waste, the 60D is fine
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#29 |
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I think for taking pictures of people at shows nothing more than a really nice point and shoot is necessary.
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#30 | |
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#31 | |
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I have eyes and I want to see a photograph that is no good because of the lens. |
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#32 |
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#33 | |
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Pictures are looked at. They are visual. We do not have to rely on descriptions, we could judge for ourselves. This would be very interesting. A lens is always the result of compromise, a expensive f1.4 lens will be more difficult to design then a f2.8 lens, a zoom lens will have many elements and may have poorer resolution. But f2.8 lenses may be excellent. There are so many other factors involved in a photograph that have a far bigger effect on the quality and look of the picture than the lens. The most important is basic exposure and focus. If you like I will post pictures taken with Sigma and Nikon lenses and you can tell me which is which? |
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#34 | |
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I sold this tamron lens, and never looked back on those... Not everybody see the different. For example, there is a canon 85mm 1.2, it's a prime, cost around 2000$ and it's very slow and heavy. I heard many say: " this is bulshit to pay that much for that lens, when you can get a cheap 85mm 1.8) But, i can see such a huge different in image quality, this why i will pay way $$$ for more slow and more heavy lens.
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#35 | |
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I have but as I do not own the glass I can not show examples. But after storm chasing with my uncle that had some really nice glass I was quite disappointed when he bailed before I got a Chance to play with his stuff. |
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#36 |
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I will have to find a video I saw that compared the Mark II vs the III. After watching it I have to wonder what you did not like. The III works great in low light which is why I was considering it.
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#37 |
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I think it's like horsepower in a sense, that the higher you go up the more you need to spend for only a 2-3% performance increase. ie: Adding 50hp to a 130hp car is a huge difference, but 100hp added to a 500hp car wouldn't be nearly as noticeable. So it's just deciding what's good enough for your own application and finances. If you feel you're really going to use that extra few % for a few thousand dollars, then by all means enjoy it. Or, you may decide that saving your money and living with 97% of the possible performance is a better choice.
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#38 | |
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#39 | |
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Oh right, the year later than I guessed. Not bad memory!
Quote:
But the point everyone is making is that to go from a $300 to a $3000 body is a hell of a jump and you might find if you spend that same money on one good l series lens and a 60D body instead you'd get more bang for your buck. You could also then still use your cheaper lenses if you wanted. |
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#40 |
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The point is that a 3% increase in quality is not notice if poor exposure knocked off 20% of quality.
Back in the day all my friends were keen photographers and had Nikons and Pentaxs when I went to Eastern Europe and met professional photographers who had to work with Zeniths and Zorkis, also with East German black and white and colour stocks. Their photography was better, because they were photographers and not consumers. |
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#41 |
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I would never buy a kit with a lens. My person opinion.
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#42 |
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#43 | |
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It is a shame that people want to talk about photography and not show it... |
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#44 |
So Fucking Banned
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Aforementioned video
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#45 |
I am Amazing Content!
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i am not a photographer, but doesnt that also depend a lot on the lens?
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#46 | |
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Same as anything really. But it is easier to get good results with better kit. As the OP wanted to invest in his camera kit, I - and everyone else - is suggesting he spend some money on a lens and a better body, rather than drop it all on an amazing body, and fit it with budget glass. |
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#47 | |
Choice is an Illusion
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#48 | |
Leaner, Meaner, Faster
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I've had my new 5D Mark III on order for a few weeks now, and I'm gonna use my 24-70 2.8 lens on it. I got my 5D back in 2007 so I guess it's time to finally move on up! Plus I can shoot some of that "art" footage. lol |
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#49 | |
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These cameras are only needed with good knowledge of photography. I don't think anyone could tell the difference between budget glass and not. A cheaper lens may well be better quality because it is darker. If as most here use flash it would be a much better option. The is a massive disconnect between the level of the cameras and lenses talked about here and the photography produced. |
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#50 |
lurker
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